Harvest: Part I

Oct 5, 16

This week, we’ll be exploring “Harvest.” Below is part I, and we’ll see you Wednesday for part II.yellowandgreenpeppers

Harvest… the name of our current exhibition. It’s simple and fitting for the season. I think most people associate the word and its accompanying action with the Fall equinox – along with apple picking, all things cozy, and those three little letters in the order of P, S, and L. I like apple picking and being cozy (confession, I’m not a coffee drinker so I cannot comment on the PSL), but I typically like them just during the Fall. I appreciate them for that time of the year, then am able to move on to the other traditions and typical trends of the next season.

But, harvest, when I really think about it, is something I want to do year-round. I’m not talking about harvesting wheat or apples or spaghetti squash (although I do love a good spaghetti squash). I’m talking about harvesting the seeds we have planted in our life and seeing the investments we have made come to a fruitful, abundant Harvest.countryscene

Harvest, according to Merriam-Webster, means the following:

Full Definition of harvest

  • 1
:  the season for gathering in agricultural crops
  • 2
:  the act or process of gathering in a crop
  • 3
a :  a mature crop (as of grain or fruit) :  yield
b :  the quantity of a natural product gathered in a single season <deer harvest> <ice harvest>
    4
:  an accumulated store or productive result <a harvest of revenue>

Below is my breakdown of the definition of this mighty word.

1: the season for gathering in agricultural crops.
Nowhere does Merriam or Webster say “the fall equinox season for gathering.” Which means harvesting does happen and is meant to happen all year round with different crops. For whatever reason though, it just doesn’t sound very “Springy” or “Summery” and I think we like to just reserve the term for the Fall. So often I find myself and hearing others say, “Next exhibition we’ll do that,” “I’ll get to the gym once this or that,” “I’ll do it when the kids start school,” or “I’ll paint that when…,” and those things we want for our lives never happen because we are “reserving” them for another season. We want the harvest, but planting can be difficult, tedious, and doesn’t always fit into our ideal calendar. The more we postpone to “other seasons,” the less we can harvest in the one we’re in or about to step into. You can’t gather now what you didn’t plant before.

 

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Behind the Artist: Nancy Marshburn

Sep 26, 16

We’re excited to introduce you to one of Anne Neilson Fine Art’s newest artists, Nancy Marshburn. Get to know this dynamic new addition below!
0041-marshburn_nancy-1Quick Hits:
Name: Nancy Marshburn
Currently Living: North Carolina
See Her Work: http://anneneilsonfineart.com/artists/nancy-marshburn/

A Closer Look
Nancy Marshburn is an award-winning artist working in pastel and oil in a style described as contemporary realism. Her pastel paintings show the clarity, intensity and luminosity allowed with this medium. Her oils continue the exploration of still life and landscape in a refreshingly different media.Artichoke Heart-beat - 9x12 - Nancy Marshburn

Nancy’s signature work combines her intriguing loves of art and the medical field. Nancy earned a Bachelor of Arts in art and biology at the University of Tennessee, Knoxville, followed by a year in Wales on a Rotary International Scholarship studying medical photography. She attended the Medical College of Georgia, completing a Master of Science in Medical Art in 1984. After working as a freelance medical illustrator for over 20 years, she happily returned to her fine art roots.Transplant - 11x14 - Nancy Marshburn

The effects of light intrigue Nancy. Her paintings pull the viewer towards them with strong dark/light contrasts. A Sally Strand workshop reintroduced Nancy to the still life genre, a natural progression from her medical art. Nancy’s continuing interest in landscape painting is evolving towards more plein air work. The need to work quickly leads to fresh, decisive strokes and the southeast offers a plethora of scenes to paint. Outdoor painting provides balance to her more detailed still life work.

Inspired by the ordinary, Marshburn’s art focuses on a moment of beauty in a complex world.
A Stent in Time - 9x12 - Nancy Marshburn

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Calendar of Events Fall 2016

Sep 7, 16

Fall 2016 Calendar of Events

Our Summer exhibition, Peaceful Places, has concluded. Harvest our new exhibition is up and we are thrilled to be partnering with The Learning Collaborative.  Join us Thursday, September 15 from 6:30 – 8:30 pm for the opening reception. Receive 5% off your art purchase, the evening of September 15 when you bring in a donation of school supplies benefiting The Learning CollaborativeClick here to view the school supplies wish list.

More upcoming special events and exhibitions…

 

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Behind the Designer: Summer Tubridy

Aug 26, 16

Getting to know interior design master Summer Tubridy of Onyx Interiors.
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Quick Hits:
Name: Summer Tubridy
Design Firm: Onyx Interiors
Website: www.onyx-interiors.com
Contact info: summer@onyx-interiors.com
Schooling/Credentials: Art Institute of Charleston, BFA in Interior Design
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A Closer Look:
It’s hard to believe that Summer Tubridy has only been professionally designing spaces for six years. She admits, though, that the beginning stages of design started as a child, when at age 10, her father built their family home. Summer was influenced at that young age to design and build her own outdoor playhouse from remnants of stained wood planks, concrete block and pale rose carpeting.

In addition to that early experience and her father’s construction skills, Summer finds her passion from her grandmother’s love for interiors and gardening. The combined familial connections have allowed her to gain a deep understanding and broad sense of interior design from the beginning, opening the door for her to find a cohesive balance between aesthetics, form and function.
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When describing her design approach, Summer says, “First, Concept. Then, Design. Guided by each client’s aspirations, I provide a strong conceptual design to reach an intended goal – a personalized story that reflects the values, lifestyles and individual characteristics of the client for whom it is designed. It is important to me that the background palette has a classic elegant feel, and then layer with a dramatic, modern edge.” Fittingly, then, Summer self-describes her design aesthetic as classic, modern and dramatic.
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As she designs her spaces, she draws inspiration from her deep-rooted passion for science and art, drawing influence from natural materials. As she says, “I look for patterns, textures and colors that can be showcased into a fresh and modern design.” Summer’s favorite room to design in a home is a kitchen, believing it the perfect setting to allow you to play with different compositions, finishes and materials.

Summer also believes in the power of art within a space. “Art provides a story from the artist that captures the hearts and minds of the viewer,” she says. “Art needs to evoke emotion, draw you in, and make you think. If you have all these elements, then it’s a success.”
TheVue_Suite Penthouse
Summer’s favorite project to date has been a local, Charlotte space: the penthouse suites at the VUE in Uptown. “I was fortunate enough to work with luxury apartment developer, Northwood Ravin, and select the interior finishes of the penthouses. This led to the opportunity to work with former NASCAR driver, Angela Cope and her husband Michael Ruch to design and furnish their 3,000sf high-rise penthouse.”

When she isn’t busy adding her knack for color and texture to spaces, Summer can be found on the lake with her husband Michael and their goldendoodle, Oscar, or diving into the duck breast and pan-fried corn at her favorite restaurant, Rooster’s Uptown.
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Behind the Artist: Audrey Stone

Aug 19, 16

We’re excited to introduce you to one of Anne Neilson Fine Art’s newest artists, Audrey Stone. Get to know this dynamic new addition below!
_DSC6788Quick Hits:
Name: Audrey Stone
Hometown: New York City, NY
Currently Living: Brooklyn, NY
See Her Work: http://anneneilsonfineart.com/artists/audrey-stone/

A Closer Look
Audrey Stone has known since the age of 9 that she wanted to be an artist. With an early influence from Michelangelo (and even fantasies that they were distant relatives!), Stone sold her first work while attending the Pratt Institute for her BFA, quickly followed by her first gallery show after graduation.
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With an aesthetic that she describes as subtle, simple and bold, she typically describes her pieces that are in-progress as her favorite. “I become very involved in my process, and it consumes me,” she explains. As she works she draws on inspiration from a bevy of artists, including Veja Celmins, Louise Bourgoise, Sheila Hicks, Lori Ellison and Anne Wilson, as well as personal inspiration from her grandmother.

“I keep a book of running ideas in which I sketch out the composition, color and medium to keep track of them. My ideas come in batches, and while I work on approximately 7 or 8 pieces at a time, sometimes there are too many ideas to work on at one time,” Audrey describes of her preparation process. “When I’m ready to start new work, I go back through the sketchbook, and if an idea still resonates, I move forward with it. Sometimes I create a color study on paper, a small painting of what a painting might ultimately become.”
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Audrey also appreciates time away from her work, including time with her two children. She recharges at a family home in Massachusetts, where she loves being on the deck and reading in the summer. Though she won’t often turn down a restorative beach vacation. She has also recently started taking nature photos. Most mornings you can find Audrey behind the camera shooting a few photos while on her morning walk.

She admits that the art world is not without its challenges. “As an artist it takes a long time to figure out how to live your life and make your work. I think it’s a slow process for many and there are highs and lows in terms of production and exhibitions. While I was getting my BFA we were often told: only 2% of you will be making art in 10 years, a terrible thing to say to young artists. I have been happily surprised by the amount of people I went to school with back then who have continued to make art. Many have had breaks in their art making for periods of time but they are doing it now.” Audrey approaches the challenges as simply and boldy as she approaches her work: one day a time.
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Audrey’s work takes slow, methodical timing. “I spend time and care on the craft involved,” she says. “I am inspired by the natural world and its emotional transitions.” It’s that inspiration that lends itself to her unique sense of color, process and selection of material.

Describing her artistic process, she says, “On the painting surfaces I paint one color on a piece a day so that it fully dries before the next layer. I often use tape to create the edge of color. If it is a combined sewn painting, I usually complete the painting part 1st, then move on to the sewing. While the paint dries on the painting sections I am working on, I sew on the sewing sections of other pieces.”

We are thrilled to be adding Audrey’s signature work to our range of Anne Neilson Fine Art’s roster of talents!

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Why Fine Art?

Aug 2, 16

It’s probably no surprise to you that I’m writing on this subject matter. After all, I’m a gallery director. My main job is to sell art. But it’s been said before, “what” we do is never nearly as important as “why” we do it. So let me explain my “why.”
Except a Wake of Music Accompany their Feet.48Why do I sell art?

Well, not to oversimplify it, but it’s fun. My office is the dreamiest space you’ve ever seen – with crisp white walls, high ceilings, exposed beams, natural lighting to die for, the echo of artists moving around their studios upstairs (not to mention their furry friends that come to work with them), and the most extraordinary art hung gracefully all around. I can’t imagine ever reverting to days I was stuck behind a cubicle where the painfully beige office walls had no art. I mean zero. Talk about uninspiring – both professionally and ultimately personally. The lifeless walls I had no choice but to look at arrested my dreams and kept me from believing in more for my life professionally. Which is WHY I believe art is important to the eyes. What we look at defines so much what we think about. What we think about, defines so much of what our heart believes. What our heart believes often determines the words we speak and the actions we live out. We must be mindful of what we give our attention to, and I believe art can be and is a catalyst for change, both personally and socially. So why do I sell art? Because I want to help inspire others, one beautiful piece at a time.

Why do I sell art for Anne Neilson?

This is a no brainer. Not only does ANFA have the best roster of artists in all of Charlotte, we are dedicated to a purpose much bigger than ourselves. More than being a successful gallery. More than having the best artists. More than having a pretty space. We believe in making a difference through art. Our mission is to give back into our community and share with you all the incredible charities and organizations that exist in Charlotte. Anne is dedicated to helping the homeless, inspiring hope to the less fortunate, and bringing joy to a child’s face. It is my honor and privilege to come along side of her in this mission and bring my best to maximize our impact. A portion of all gallery sales goes back into our community, and I couldn’t be more blessed by this commitment. I’ve read before that the same endorphins that are released when the human brain reacts to “winning,” are the SAME endorphins that are released when we GIVE. With each sale in the gallery, I get excited knowing we are able to help all the more. I can’t think of a better reason to come into work every day.
Kathy Cousart - Art above mantelWhy I believe fine art is a sound investment:

Perhaps similarly to my first question, I’ve experienced first-hand how great art can affect the soul. Clients come in looking for one thing, but fall in love with something else. Why? Because they connected with it on a much deeper level. Call it emotional, spiritual, whatever the case may be, but it is undeniable. I’ve passed the tissue box more times than I can remember. Over art! Art cannot audibly speak. Art cannot give affection. But somehow, it whispers into our soul and changes us.

Art can represent a hobby, a loved one, a place you love to visit, or simply make a room look good; but whichever purpose it serves, it leaves a legacy of who you are. It is an extension of you, your beliefs, feelings, thoughts, hopes, and dreams, and therefore art initiates and deepens relationships. It evokes conversation, questions, and opinions that might not otherwise have been shared. It establishes both spoken and unspoken connections between family members and strangers alike – giving way to the walls we build and assumptions that keep us from uniting. These raw, vulnerable relationships are what push humanity forward toward understanding and love.

Lastly, original artwork does differ from replicated pieces. Every original piece has a story that lives inside of it. The story of the artist – their belief and determination to create something beautiful, understood, and valued. Original art is the voice of an artist captured, only to live on as interpreted by its beholder. Each stroke, each layer, each technique – all uniquely applied by another human being living in that moment. A machine only does what it’s told. An artist does what it feels.

Art is so much bigger than the space I have to type about it here. It’s bigger than me; it’s bigger than you; and its impact is universal and transcendent of time and space. Now that you know my why, I’d love to invite you to pay a visit and find your own!

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Behind the Designer: Lisa Britt + Hadley Quisenberry

Jul 8, 16

We’re excited to kick off our new series spotlighting some of our favorite interior designers and taking you behind their style, inspiration and personality. Our inaugural feature highlights Lisa Britt and Hadley Quisenberry, the mother-daughter team behind design firm Lisa Britt Designs.
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Quick Hits:
Name: Lisa Britt & Hadley Quisenberry
Design Firm: Lisa Britt Designs
Website: www.lisabrittdesigns.com
Contact info: Hadley@lisabrittdesigns.com, 917-325-5359
Schooling/Credentials: IDS members
Kaine Living Room (Windows Center)
A Closer Look:
Lisa has been designing beautiful spaces since 1980… 5 years before Hadley was even born. It’s unsurprising, then, that the world of interiors is in Hadley’s DNA.

When describing their design approach, Lisa and Hadley say, “We love to mix old and new to create chic yet comfortable spaces for our clients. We love to gain inspiration through travels abroad and believe that our innate passion for design is in our blood.”
Kaine Living Room (Mantle Centered Best)
Their spaces ooze with the three words they use to self-describe their aesthetic: transitional, warm and timeless. It’s hard to scroll through Instagram without wanting to climb through the screen and cozy up in their clients’ rooms, which typically feature neutrals and soothing shades of blue.

Lisa and Hadley agree that they love soaking up issues of Elle Décor and feel strongly about the role of investing in inspirational, original art within a space. They say, “Art is often our jumping off point for the room’s color palette. It is a key element because that is often what first catches your eye.” For Hadley, her own favorite art pieces include portraits of her two children, Britt and Georgia Grace, and the Anne Neilson angels that live in her nursery. When referring to client work, Hadley notes a recent living room she and her mom designed in Atlanta featuring a Marcy Gregg original.
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The Lisa Britt Design team also shared with us some personal favorites. They list dens and kitchens as favorite rooms to design because “they are the heartbeat of the home”; the beach as a favorite getaway; their recent trip to Greece as a family favorite; a love for implementing mid-century elements within a space; and local Charlotte dinner spot Kid Cashew as a must-visit while in the city.

Hadley and Lisa exude the same warmth that their spaces do, and it’s our pleasure to add art from within our walls to the walls of their client spaces.
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Living our mission

May 13, 16

Our Brushes Are BusyThe gallery has been all abuzz over the past few weeks as we prepare for our upcoming Spring and Summer exhibitions. New art is flowing through the doors and a brand new show adorns the walls as we approach our second anniversary. With each show that is planned we consider what the theme will be, which organizations we will partner with in our “giving back through art” philosophy and what fun experiences we will create for our clients.

We are excited to share our upcoming exhibitions for the remainder of 2016:

May 13 – June 30 • Art for Soles benefitting Samaritan’s Feet

July – August • Peaceful Places highlighting photography

September – October  • Harvest benefitting The Learning Collaborative

November • Seasons of Joy  benefitting Healing Hands of Joy

December • Third Annual Small Works Show

 

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Up Close And Personal With: Millie Gosch

Feb 3, 16
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Anne Neilson Fine Art is proud to feature renown painter, Millie Gosch. Through her intelligent use of color and lively brush strokes, Millie has earned herself affiliations with nationally recognized societies such as  Oil Painters of America and American Impressionist Society. Learn more about Millie and stop by to see her work in our gallery.
Millie has graciously donated a piece in this year’s Art With Heart Live Auction, taking place Saturday, February 6th. All proceeds benefit Safe Alliance. For a chance to bid on Millie’s piece please see flyer at bottom of this post. 
Name
 
Millie Gosch
Hometown
 
Atlanta GA
How did you get started?
 
I started taking painting lessons at the age of 8. My parents were very good about making sure I had some sort of art lessons all of my childhood.
What inspires your work?
 
Being outdoors and the beauty of nature.
Millie Gosch
Cloud Parade 60 x 48 available at Anne Neilson Fine Art. Email info@anneneilsonfineart.com for inquiries. 
What is your favorite subject matter/ pallet to use?
 
My favorite subjects are trees and the low country. I use a limited palette of primary colors and so I mix all the hues from that palette.
What is your favorite part about studio life AND OR do you have a certain routine?
 
I paint from life and not photographs so I love that most of my “studio time” is outdoors. 
Who inspires you?
 
George Ennis, Winslow Homer, Augustus John and the California Impressionists.
If you could give a piece of advice to a large group of people, what would it be?
 
Know yourself and be true to yourself.
Share one great adventure you’ve experienced.
 
Painting beside a snake, painting beside a bear, painting next to an alligator, painting while standing in a fire ant nest.
What would you be doing if you weren’t an artist?
 
 I would be a writer or a musician.
What do you want your audience to know about your work?
If my works were literature it would be a haiku.  I want to invite my view er in the painting so it can be their experience.
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Coastal Sundown 41 x 41 framed in floater frame. For a chance to bid on this beautiful piece in the Art with Heart Auction see the above flyer or email info@anneneilsonfineart.com.
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Southern Waters Detail 48 x 60 available at Anne Neilson Fine Art. Email info@anneneilsonfineart.com for inquiries.
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Up Close And Personal With: Caroline Boykin

Jan 25, 16
Learn more about the talented Caroline Boykin, one of the new artists who is making her debut in the Lovely Exhibition.
View More: http://jordanmaunder.pass.us/caroline-ceramics
Name
Caroline Boykin
Hometown
The beautiful Fairhope, Alabama
What inspires your work?
I am inspired by simple moments and the fragility of life. So many different emotions can happen simultaneously in a moment. My paintings are centered around the peak of the bloom and the second of a pose. I find fulfillment and inspiration in the process of creating each painting. I start with a pose of subject and each mark after directs the feeling of the piece. Impulsive mark making and reactions of colors lead to emotional connections and different interpretations.
What is your favorite subject matter/ pallet to use?
My favorite subject matter is the female form. I love the curves and negative space it creates. Flowers also make my heart happy. Anything that God gave a breath of life to I enjoy creating! Neutral and cool tones with pops of contrasting color usually fill my pallet.
What is your favorite part of studio life? Do you have a certain routine?
My daily routine centers around a 1 1/2 year old baby girl. I work around her schedule which at times can be challenging but is really fun. My studio is my sanctuary. A quiet place where I am usually working on at least 5 projects at once in many different mediums. I find that working on lots of pieces at once helps to keep the creativity flowing. There is always lots of coffee and music and breaks for baby giggles!
Who inspires you?
Anyone who has kindness in their heart inspires me! My childhood was surrounded by strong southern, God loving women that shaped me and are a huge inspiration to my work.
If you could give a piece of advice to a large group of people, what would it be?
Just smile! It is so simple and easy to bless the people around you with a little love. Also, hire an accountant.
Share one great adventure you’ve experienced 
This is a hard one as I love a good adventure (as long as there is a hotel room involved). My trip to Florence, Italy to study figure drawing when I was 18 was quite an adventure. I was so young, alone, and really learned so much about myself. I also fell hard for art that summer! Florence lit a fire in my soul to create.
What would you be doing if you weren’t an artist?
A florist. I have an awful black thumb so I can’t grow them, but I adore arranging flowers.
View More: http://jordanmaunder.pass.us/caroline-ceramics
Boykin in her studio
View More: http://jordanmaunder.pass.us/caroline-ceramics
Powder & Apricot Seated Nude 24x30 Caroline Boykin
Powder And Apricot Seated Nude, available at Anne Neilson Fine Art Gallery. Email info@anneneilsonfineart.com for inquiries.
Lilac & Peach Seated Nude 36x36 framed Caroline Boykin
Lilac and Peach Seated Nude, available at Anne Neilson Fine Art Gallery. Email info@anneneilsonfineart.com for inquiries. 
Cream & Violet Standing Nude 16x20 framed Caroline Boykin
Cream and Violet Standing Nude, available at Anne Neilson Fine Art Gallery. Email info@anneneilsonfineart.com for inquiries. 
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